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Living Revolution | Heroes | Lei Feng

Lei Feng's Immortal Spirit

The Independent (London)
March 10, 1990, p. 13 

Out of China: Such is the stuff heroes are made of in China


By ANDREW HIGGINS

LEI FENG VILLAGE, Hunan Province - He was born, or so the legend goes, in a mud and grass hut. He died only 22 years later, when a wooden pole used for drying washing fell on his head.

The bits in between were no more heroic - he drove a tractor, worked in a steel mill, cleaned toilets and washed socks for soldiers in the People's Liberation Army. He spent his spare time reading and preaching the gospel of a fellow but slightly more ambitious Hunanese peasant, Mao Tse-tung.

Such is the stuff heroes, even saints, are made of in China today. And none can rival Lei Feng, the doltish soldier who, before his death in 1962, confided in his diary that his only ambition was to become ''a rustless screw in the machine of the revolution''. It is an ambition that the Communist Party, traumatised by the events of last June, would like more people to share. The ''screw spirit'' - first hailed by Mao in 1963 - is back with a vengeance. To commemorate the anniversary of Mao's order to ''learn from Lei Feng'', the Communist Party has orchestrated a posthumous personality cult unprecedented in the post-Mao era.

Newspapers sing his praises; leaders talk about virtually nothing else while soldiers and schoolchildren are lectured endlessly on the need to copy his example. On Sunday, officially designated Learn from Lei-Feng Activity Day, the entire Politburo penned inscriptions in praise. More than half the evening news was devoted to a man many suspect may never have even existed.

None the less, the Lei Feng spirit of selfless devotion stirs more giggles than respect. There are a few true believers - most of them in Lei Feng's home village, which has been named in honour of its famous son. Here the faith runs deep. There is a Lei Feng restaurant, a Lei Feng Electrical Appliance Store, and a Lei Feng Memorial Museum, run by a Lei Feng fundamentalist who claims to be Lei Feng's cousin. ''Some people used to say the Lei Feng spirit was outdated,'' the museum director Lei Mengxuan says, shaking his head at the mere thought of such a heresy. ''His spirit will never die. It will live on forever.''

He admits that 10 years of economic reform have undermined the faith, but takes comfort in the recent hardline resurgence in Peking. ''I was never pessimistic. I knew that Lei Feng would be needed again some day.''

The party has tried to revive the ''screw spirit'' before. Two years ago, it even decided to reshape its dead hero's image to suit the reformist mood prevailing in Peking. Lei Feng, officials announced, was a keen student of economics and kept his money in a high-interest account. But few were convinced and the campaign faltered. The current revival takes the cult back to its roots.

The museum is packed with children and soldiers bussed in for organised tours. The message of unquestioning discipline is one China's leaders must drive home if they are to avoid a Romanian-style revolt in the ranks. For cynics who doubt Lei Feng's existence, the museum offers displays of what are said to be his belongings - ''the tattered blankets used by three generations of the Lei family and (preserved under glass) a mosquito net and (also used by three generations) Lei Feng's application to join the party in 1960; copies of Mao's collected works (with margin notes by Lei Feng: ''Sacrifice everything for the interests of the party and the proletariat''). The central text of the Lei Feng cult, its famous - but some believe fake - diary, is also on display. Allegedly written while Lei was in the army but not discovered until after his death and canonisation, the diary forms a guide to communist sanctity. Each exhibition hall is decorated with selected entries in bold characters. ''For the Party and the People I will plunge into the great sea, march into mountains,'' reads one passage. ''Even if my head is smashed, my bones broken, my body will remain red, my heart crimson. Never will I change my mind.''

The museum presents Lei Feng's life as a communist morality play. Before he was six, his uncle, father and two brothers died ''because of brutal oppression and class exploitation''. Next to go was his mother, who hanged herself after being raped by her landlord. Fired by ''burning class hatred'', he vowed to commit himself to the Maoist ideal of ''serving the people''. Though skinny and short, he wangled his way into the army. He tricked recruiters by pressing down on the scales to make himself heavier. The museum contains photographs of Lei Feng in action as a good Samaritan and loyal trooper. You can see Lei Feng lobbing hand grenades, offering food to his comrades, reading Mao in the cab of his truck, and performing other thankless tasks. If anyone is confused by the mysterious presence of a photographer at every stage of Lei Feng's humdrum life, the museum director offers an explanation: his good deeds went unrecorded at first, but were later restaged for the benefit of posterity.

Copyright 1990 Newspaper Publishing PLC  





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