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Staging History | Icons
and Symbols | Sacred Sites | Monument
to the People's Heroes
The following excerpt is taken from Simon Leys, Chinese
Shadows
(New York: Viking Penguin Inc., 1978, pp. 53-54)
Peking - the Monument to the Heroes of the People
In Peking stands one monument that more than any other is a dramatic symbol
of the Maoist rape of the ancient capital: the Monument to the Heroes
of the People. This obelisk, more than a hundred feet high, the base of
which is adorned by margarine bas-reliefs, would by itself be of no particular
note if it were not for the privileged place it has, exactly in the center
of the vista from Ch'ien men Gate to T'ien-an men Gate. A good sneeze,
however resonant, is not remarked upon in the bustle of a busy railway
station, but things are somewhat different if the same explosion occurs
in a concert hall at just the most exquisite and magical point of a musical
phrase. In the same way, this insignificant granitic phallus receives
all its enormous significance from the blasphemous stupidity of its location.
In erecting this monument in the center of the sublime axis that reaches
from Ch'ien men to Tien-an men, the designer's idea was, of course, to
use to advantage the ancient imperial planning of that space, to take
over to the monument's advantage that mystical current, which, carried
along rhythmically from city gate to city gate, goes from the outside
world to the Forbidden City, the ideal center of the Universe. The planner
failed to realize that by inserting his revolutionary-proletarian obscenity
in the middle of that sacred way he was neatly destroying precisely the
perspective he wanted to capture for it.
The brutal silliness of the Monument to the Heroes of the People, which
disrupts and annihilates the energy-field of the old imperial space by
trying to appropriate it, epitomizes, alas, the manner in which the Maoist
regime has used Peking: it has chosen the old capital in order to give its power
a foundation of prestige; in taking over this city, it has destroyed it.
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